I am currently completing Oceans at Home: Maritime and Domestic Fictions in Nineteenth-Century American Women’s Writing.
(under contract, University of Massachusetts Press).
“The Times of Settler Colonialism.” Lateral: Journal of the Cultural Studies Association, Forum: “Emergent Critical Analytics for Alternative Humanities.” 6:1. Spring 2017.
“Americans Abroad: Melville and Pacific Perspectives.” New Global Studies, Special Edition, Editors’ Forum: Reimagining Transnationalism in the Global Academy. 9:3. December 2015.
“‘Outré-mer adventures’: Caroline Kirkland’s A New Home, Who’ll Follow? and the Maritime World.” Legacy: A Journal of American Women Writers 32:2. Winter 2015.
“Mary Howard’s Mark: Children’s Literature and the Scales of Reading the Pacific.” Early American Literature 50:3. Fall 2015. *This essay was the co-winner of the Richard Beale Davis Prize for best essay published in Early American Literature in 2015.*
“Artistic Anachronisms: Pleasure Reading the Patent Office Building.” J19: The Journal of Nineteenth-Century Americanists 2:2. Fall 2014.
“Seriality and Settlement: Southworth, Lippard, and The Panorama of the Monumental Grandeur of the Mississippi Valley.” American Literature 86:1. March 2014. *This essay received an honorable mention for the Norman Foerster Prize for the best essay published in American Literature in 2014.*
“The Captivity of Translation: The Legacy of William Barrett Marshall’s Personal Narrative.” International Journal of Francophone Studies, special issue, “Oceanic Routes.” 11:4. 2008.
“The Art of Becoming: Sherwood Anderson, Frank Sargeson and the Grotesque Aesthetic.” Journal of New Zealand Literature 23:2. 2005. *This essay was awarded the JNZL Prize for New Zealand Literary Studies in 2005.*
“Sentimental Premonitions and Antebellum Spectacle,” in Apocalypse in American Literature and Culture , ed. John Hay (Cambridge: Cambridge University Press, forthcoming)
“‘You will observe…’: Letting Lippard Teach,” in Teaching Tainted Lit: Popular American Fiction in Today’s Classroom, ed. Janet G. Casey. University of Iowa Press, 2015. 17-29.
Review of Turns of Event: Nineteenth-Century American Literary Studies in Motion, ed. Hester Blum, Canadian Review of Comparative Literature, 45.1. March 2018.
Review of Gillian Silverman, Bodies and Books: Reading and the Fantasy of Communion in Nineteenth-Century America. Textual Practice 28:5. 2014.
Review of Trevor Bentley, Captured by Maori: White Female Captives, Sex and Racism on the Nineteenth-century New Zealand Frontier. “The New Zealand Listener,” October 9-15, 2004.
“James Fenimore Cooper’s The Bravo on the International Stage,” Wexford Festival Opera 2018 Festival Programme. 35-37.